Renaisscenes

2022
final project for BA of Arts

During the Renaissance Art and culture came to life. Humanist studies flourished, depicitons of nature became more realistic and rich people started paying artists to portray them and hence immortalize their earthly shell. Nowadays, humans try to do the same - we pay our internet provider so we can stage our everyday life on social media and share it with everyone who cares.

This project and thesis examines three different portraits made between 1460 and 1501. The research focuses on the clothing worn by the depicted persons and social-cultural meanings in the patterns, fabrics and the way the clothes were worn. In the following practical part of the thesis these three costumes were sewn and staged in paintings that were created back in the chosen epoch.

The goal of this project is to show the difference between our clothing now and then and how people liked to portray themselves.
see full thesis
portrait of a Lady by Rogier van der Weyden, 1460
Portrait of a Lady, Rogier van der Weyden, 1460
portrait of Giovanna Tournabuoni, by Domenico Ghirlandaio, 1488
Giovanna Tornabuoni, Domenico Ghirlandaio, 1488
portrait of Doge Leonardo Loredan by Giovanni Bellini, 1501
Doge Leonardo Loredan, Giovanni Bellini, 1501

pattern research and making

Based on extensive research the patterns were designed and three costumes made. The fabric selection includes heavy brocades, silks and wool. Most pieces are handsewn and no modern tool such as zippers used.
a costume from the 15th century
a costume referencing the 15th century
a costume referencing the 15th century
a costume from the 15th century
a headpiece referencing from the 15th century
a costume referencing the 15th century
a costume referencing the 15th century
a costume referencing the 15th century
a costume piece (shoe) referencing the 15th century
a costume referencing the 15th century
a costume referencing the 15th century
a costume referencing the 15th century
a costume referencing the 15th century
a costume referencing the 15th century

staging and appropriation

The product of this analysis is the final staging within these 500 year old paintings. At the first glance the inserted person is invisible in the bigger picture filled with the original characters. After some examination the onlooker will see discrepancies between the painted and the photoshopped figure. The poses are carefully chosen and staged to reflect on today’s behaviour. By putting the alien into the ancient environment the composition holds a certain sarcastic value and addresses our self-obsessed society, in which we can only live successfully if we can stage our lives perfectly to others.
a manipulated painting from the 15th centurya manipulated painting from the 15th centurya manipulated painting from the 15th centurya manipulated painting from the 15th centurya manipulated painting from the 15th centurya manipulated painting from the 15th centurya manipulated painting from the 15th centurya manipulated painting from the 15th century